Dinu Lipatti’s Last Recital

Liner notes for Opus Kura’s CD issue of the recording of Dinu Lipatti’s last recital

The ten days Dinu Lipatti spent in the studios at Radio Genève in July 1950 produced about two hours of legendary recordings that now fit onto two CDs. This intensive work was made possible by cortisone treatment, which supported Lipatti’s health and gave him a level of vitality he had not known for some time. However, the experimental injections could not be continued with the frequency that had seemingly resurrected the pianist, and the Hodgkin’s Lymphoma from which he had been suffering since 1943 strengthened its grip. Lipatti gave only two more public performances: Mozart’s Concerto in C Major K.467 with Karajan at the Lucerne Festival on August 23, and a solo recital at the 3rd Besançon International Music Festival on September 16.
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Dinu Lipatti’s Valedictory Recordings

Notes for Opus Kura’s CD release of Lipatti’s recordings made in Geneva in July 1950

Dinu Lipatti made the last of his Abbey Road recordings in London on April 21, 1948. After a May 30 performance of the Bartok Third Concerto in Germany, he became so ill that he played only a handful of concerts in the subsequent 18 months. The pianist devised a ‘less tiring program’ for his recitals – Bach B-Flat Partita, Mozart A Minor Sonata, two Schubert Impromptus, and Fourteen Chopin Waltzes – yet still continued to give heroic concerto performances: his now legendary Zurich concert of February 7, 1950 featuring the Chopin E Minor Concerto led the director of the Jecklin Pianohaus to write to EMI producer Walter Legge with a suggestion that the company record Lipatti in Switzerland. EMI had already overturned such a proposal the year before, believing that Lipatti would be well enough to make the voyage to London in November 1949 to record the Bartok Third Concerto with Karajan and the Chopin Waltzes. At Easter 1950, however, Legge assured Lipatti that he would do what he could to record the pianist close to his home.
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Cover feature of Classical Recordings Quarterly

CRQ coverThe most in-depth magazine feature ever produced about Dinu Lipatti’s recordings is just being published in the Spring 2011 issue of Classical Recordings Quarterly. The 5500-word feature had been slated for the previous issue as a commemoration of the 60th anniversary of the pianist’s death, but the editor did not want to cut anything from the comprehensive overview and requested pushing it back one issue. The 9-page feature includes never-before-published photographs and some startling details about Lipatti’s recording career and missed opportunities.

The magazine may be ordered via the Classical Recordings Quarterly website at http://crq.org.uk/index.php

Encounters with Dinu Lipatti

My first encounter with the art of the pianist Dinu Lipatti came when I was a high school student of about 16. I had developed an interest in historical recordings and great pianists, and I was looking through the few records in my school’s collection. On a compilation record on the appropriately-named Angel Records was a Schubert Impromptu played by one Dinu Lipatti, stating that the performance was from ‘Dinu Lipatti’s Last Recital’. I found this morbid title intriguing and so asked our music teacher about him; ‘Oh, he was a pianist’s pianist,’ she replied.
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Dinu Lipatti – The Complete Commercial Piano Concerto Recordings

These are the liner notes I wrote for the Opus Kura label’s release earlier this year of Dinu Lipatti’s commercial Concerto recordings. The disc was recently awarded Best Reissue of 2008 by the Taiwanese classical CD magazine ‘Muzik’.

When the great pianist Dinu Lipatti died in 1950 at the age of 33, he had never left Europe. However, his few recordings have been supplemented by broadcast performances and released worldwide, securing him a legendary status in the pantheon of pianists. These historical documents still reflect a mere fraction of his active repertoire: Lipatti performed 23 works for piano and orchestra (he practiced two of his sixteen ‘active’ concertos daily), ranging from the Bach-Busoni D Minor to Bartok’s Third. While we now have a total of nine concerted works represented on disc, in the studio Lipatti recorded only two concertos from the standard repertoire, the Grieg and Schumann, in addition to his own Concertino in Classical Style. This CD unites these three performances on one disc for the first time.
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